By Owen Gildersleeve
The booklet explores the modern global of paper paintings and representation, delving into the operating lives of twenty-five of the world’s best papercraft artists. via in-depth interviews and infrequently released behind-the-scenes imagery, Paper lower supplies a different point of view into this burgeoning box of representation. For this publication i used to be fortunate sufficient to have keep an eye on over the entire elements, together with the artist choice, interviews and canopy art. The layout was once created in collaboration with Chris Clarke, and the textual content used to be proof-read and edited by way of Nick Redgrove. I additionally created a bespoke hand-cut typeface which was once used for the entire artist’s titles.
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Additional resources for Paper Cut: An Exploration Into the Contemporary World of Papercraft Art and Illustration
This acts as a visual guide for me to build the installation exactly as drawn. So drawing really is at the core of the process. In terms of the set, I may have specific, sourced objects in mind. I may also be making and printing various elements. These will depend on the initial drawing, in which I’ll also work out all sizing and specifics. There’s inevitably a lot of printing, cutting, and construction at this stage of the project. I make sure I have every element made, sourced, and supplied before I start the next stage of building the set.
Photography by Chris Turner This page Revolution Stills from a stop-frame animation created in collaboration with Jess Deacon and Chris Turner depicting the journey of a single water droplet.
How did you develop this way of working? Would you list Demand among your inspirations? I codeveloped a project with the photographer Tom Joye, with whom I share a studio. indd 54 magazine. We hadn’t heard of Thomas Demand before the project, and we both discovered his fabulous work while working on it. I really like and respect his work, which is totally crazy, because it’s all life-size! Could you briefly take us through your general working method? What tools do you use to create your work? When I receive a brief, I’ll imagine the size and the arrangement in my head.