By Alejo Carpentier

Recreando tiempo, lugar y motivaciones de una composicion musical, Carpentier escribio un relato cuya trama se inicia en Coyoacan en los primeros anos del siglo xviii, prosigue en Cuba, toca incidentalmente algunos sitios de Espana, pasa por Roma y culmina en ambitos de Venecia, de donde describe las carnavalescas mojigangas y en cuyas incidencias se entrevera lo contado en esta novela.

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Ber pot and the urinal, the enema syringe (also of silver), the writing case and the razor case, the reliquary of the Virgin and that of Saint Christopher protector of seafarers and travelers packed in ·boxes, and Filomeno's guitar and drums in another box, were borne on their backs by slaves whom the servant, scowling in the scanty shade afforded by his polished tricorne hat, hastened along by shouting obscenities at them in the 'national dialect . , , '. ; , ' . ' I ' . " •. "":' .. ,". • '~'.

I -... ' ,. ,. ,. , , ",. , "~. ~ , J' " ~ v, . - he master moved among his boxes piled under a shed sitting on this one, moving that one, standing before another grumhling his disaffection all the while in irritated monologues of alternate wrath and dejection. How true was the adage of the ancients as to wealth holding no guarantee of happiness and that the possession of gold money, that is to say was of little solace in the face of certain obstacles placed by fate along the thorny path of ..

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