By Tad Crawford

Now the one business—forms publication adapted particularly to the wishes of craftmakers has been revised, bringing its 30 fundamental, ready—to—use types and negotiation checklists thoroughly modern. And this new version contains an ultra—convenient CD—ROM, so the kinds might be copied electronically, transformed, personalized, and kept, prepared for the crafter's subsequent venture. The crafts industry is over $14 billion every year, and enterprise and felony varieties for Crafts is the single ebook each crafter—businessperson needs to have.• Replaces ISBN: 1-88059-87-0

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Sample text

The Distributor shall pay any additional costs deriving from the Artist’s exercise of artistic control pursuant to Paragraph 4. 06. Advances to Artist. The Artist shall receive nonrefundable advances of $_________, payable one-third on signing of this Agreement, one-third on approval of the fabrication of the edition based on an acceptable sample, and one-third on signing of the edition. In addition, the Artist shall at the time of signing receive ____ Artist’s proofs from the edition which the Artist shall be free to sell at any time and in any territory at the price specified in Paragraph 7 and shall not share the proceeds of such sales with the Distributor.

Both parties should then sign. Negotiation Checklist ❏ State the purpose for leaving the work with the other party. (Paragraph 1) ❏ Specify that the recipient accepts the information provided on the Schedule of Works to show that there is no dispute as to which works were delivered and what their values are. (Paragraph 2) ❏ Require immediate, written notification of any dispute as to the listing of works or their values. (Paragraph 2) ❏ State that if no objection is made within ten days, the terms shall be considered accepted even if the recipient has not signed the form.

On the other hand, this other party has not yet made any commitment to the artist. For example, the artist may want to show with a gallery, to convince a dealer to represent him or her, or to have work considered for exhibition by a retail outlet. In all of these cases the artist may want to leave art with the other party. Once work has left the artist’s hands, it is important that it be preserved and kept in good condition. Anyone holding the art as part of his or her regular business dealings has a duty of reasonable care.

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