By Sandra Hindman, Ariane Bergeron-Foote, Christopher de Hamel

Books of Hours are the most recognized of all medieval illuminated manuscripts. awarded listed here are 12 Books of Hours that date from the origins of the style within the thirteenth century to its eclipse within the sixteenth century. Examples come from France, Italy and the Southern and northerly Netherlands and are by means of many remarkable artists, together with Pietro da Pavia, Belbello da Pavia, the Masters of Zweder van Culenburg, the Masters of the Gold Scrolls, Willem Vrelant, Guillaume tile Roy and Jean Poyer. a few are richly illustrated; others are extra modest. each one manuscript is totally particular, providing a charming glimpse into the lives and preoccupations in their proprietors, the troubles and contributions in their illuminators. The creation by way of Christopher de Hamel, Donnelley Fellow Librarian at Corpus Christi university, Cambridge, underscores the intimacy’ of Books of Hours as a style. A crew of amazing students have contributed to the essays, bringing updated learn to the venture that is helping situate each one manuscript within the most up-to-date scholarship. Comparative photos of manuscripts in associations position those twelve Horae of their broader inventive and cultural contexts. Accompanying an exhibition held at Les Enluminures, manhattan, 2―25 may possibly 2012

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Hauck Collection, Christie’s, New York, 16 June 2006, lot 136), a 16th-century Psalter text from St. 1672, 2205. - 4. Walter Hirst, his bookplate, by descent. OWNERSHIP: 88 89 90 ff. 129v-130, Madonna and Child in Half Length 91 The Hague, Koninklijke Bibliotheek, 79 K 2, Book of Hours, f. 80, Preparation for the Crucifixion The Hague, Koninklijke Bibliotheek, 133 M 131, Book of Hours, fol. 113v, Angel Playing Instrument 92 Facing page, f. 22, Angel Holding the Column of the Flagellation 93 6 Book of Hours (Use of Rome) In Latin, illuminated manuscript on parchment Southern Netherlands, Bruges, c.

Perhaps the initials depicting the Virgin Mary and the Christ Child and the Man of Sorrows are painted not by the Zweder Master but by one of his collaborators, the Masters of Otto van Moerdrecht. 87). Compare also a Man of Sorrows in a Missal in Düsseldorf (Düsseldorf, Hauptstaatsarchiv, MS G III 3, f. 140). , including 2 blanks + vellum binding fragment from a fourteenth-century Breviary, apparently complete (collation with gatherings mostly of 8 leaves: i8 [ff. 1-9]; ii8 wants 6-8, excised after f.

341v), and Cecilia (f. 342v). ff. 343-344, “Ave maria gratia plena dominus tecum ita sis semper mecum nunc et in hora exitus mei”; ff. 344v-347, “O intemerata” (short version, in masculine form); ff. 347-350v, “Obsecro te” (in masculine form); ff. 350v-355, “O intemerata” (long version, in masculine form); ff. 355v-384, “Ave mundi spes maria ave mitis ave pia,” followed by other prayers and texts; ff. 385-394, Athanasian Creed, followed by other prayers and texts; ff. 394v-395v, ruled blanks. TEXT: The subjects of the 37 full-page miniatures are: f.

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